Part 1
1. Personal Background:
Edward Henry Weston was a 20th-century American photographer. From 1908 to 1911, he studied at the Illinois College of Photography. In the early years of American modernism, Edward Weston played a crucial role in giving the West Coast school of photography its own personality. His masterful blending of broad landscapes and other natural subject matter with precise, unafraid technique served as a template for the purist aesthetic of the f/64 group. Despite his passing, his influence can still be seen in the work of modern photographers like Emmet Gowin and Robert Adams.
Name of Artist: Edward Henry Weston
Dates of Artist's Life: March 24, 1886 - January 1, 1958
2. Style:
With the use of a large-format camera, Weston invented a modernist aesthetic known for its precise focus and intricate black-and-white images. Straight photography was a form of photography used by Edward Weston. Straight photography concentrates and connects with the camera's innate technical capability to produce crisp, clear images. The term typically refers to images that vividly portray the scene or subject as seen by the camera and are not altered, either at image capture or through darkroom or digital processing. Nevertheless, he achieved both economic and critical success thanks to the Pictorialist style he was working in.
3. Philosophy:
The set notion that a straight photograph was solely a machine's creation and, as such, not art, lay at the core of the photo-painter's methodology. Despite being influenced by the ideas of dada and surrealism, he kept an observational style in his photography, which he largely employed as a means of recording ordinary urban life. The significance of Edward Weston resides in his capacity to alter perceptions of everyday items and the photographic medium as a whole. He is credited with creating a "quintessentially American, and especially Californian, approach to modern photography" as a result of his emphasis on the people and locations of the American West. As he once said, "The camera should be used for a recording of life, for rendering the very substance and quintessence of the thing itself."
4. Influences:
Weston's mother encouraged him to become a businessman before she passed away when he was five years old. Weston's father and his sister Mary, who is nine years older than he is, were the first to see his artistic ability and urged him to think about photography. Furthermore, Margrethe Mather, a studio assistant and one of Weston's models, had a significant early influence on him. She was better knowledgeable about current photographic challenges and assisted Weston in refining a modernist theory. A few years after Weston's manner altered, he also met John Hagemeyer and received his support.
Edward Henry Weston was a 20th-century American photographer. From 1908 to 1911, he studied at the Illinois College of Photography. In the early years of American modernism, Edward Weston played a crucial role in giving the West Coast school of photography its own personality. His masterful blending of broad landscapes and other natural subject matter with precise, unafraid technique served as a template for the purist aesthetic of the f/64 group. Despite his passing, his influence can still be seen in the work of modern photographers like Emmet Gowin and Robert Adams.
Name of Artist: Edward Henry Weston
Dates of Artist's Life: March 24, 1886 - January 1, 1958
2. Style:
With the use of a large-format camera, Weston invented a modernist aesthetic known for its precise focus and intricate black-and-white images. Straight photography was a form of photography used by Edward Weston. Straight photography concentrates and connects with the camera's innate technical capability to produce crisp, clear images. The term typically refers to images that vividly portray the scene or subject as seen by the camera and are not altered, either at image capture or through darkroom or digital processing. Nevertheless, he achieved both economic and critical success thanks to the Pictorialist style he was working in.
3. Philosophy:
The set notion that a straight photograph was solely a machine's creation and, as such, not art, lay at the core of the photo-painter's methodology. Despite being influenced by the ideas of dada and surrealism, he kept an observational style in his photography, which he largely employed as a means of recording ordinary urban life. The significance of Edward Weston resides in his capacity to alter perceptions of everyday items and the photographic medium as a whole. He is credited with creating a "quintessentially American, and especially Californian, approach to modern photography" as a result of his emphasis on the people and locations of the American West. As he once said, "The camera should be used for a recording of life, for rendering the very substance and quintessence of the thing itself."
4. Influences:
Weston's mother encouraged him to become a businessman before she passed away when he was five years old. Weston's father and his sister Mary, who is nine years older than he is, were the first to see his artistic ability and urged him to think about photography. Furthermore, Margrethe Mather, a studio assistant and one of Weston's models, had a significant early influence on him. She was better knowledgeable about current photographic challenges and assisted Weston in refining a modernist theory. A few years after Weston's manner altered, he also met John Hagemeyer and received his support.
Part 2
5. Compare and Contrast:
Christel Gang: Link
I'm impressed with the outcome right away. The lighting could be better. However, altogether, the work was done well.
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Charis Wilson
Instantly, I'm pleased with the outcome. The positioning and lighting are both good. Overall, the work was completed well.
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Feet, 1933: Link
Regarding how the feet should be placed, this one may be improved. But it was a commendable endeavor. I'm happy with the outcome.
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6. Personal Artist Statement:
I think the pictures I've posted above tell a whole tale and depict many different things. The pictures are a representation of who I am (mostly physically), my personality, and my physical appearance. Additionally, the images demonstrate my capacity to replicate photographs shot by others. Overall, it showcases both my artistic and replica skills. After putting a lot of effort, time, and attention into generating these photographs, I'm happy with the excellent outcomes.
I think the pictures I've posted above tell a whole tale and depict many different things. The pictures are a representation of who I am (mostly physically), my personality, and my physical appearance. Additionally, the images demonstrate my capacity to replicate photographs shot by others. Overall, it showcases both my artistic and replica skills. After putting a lot of effort, time, and attention into generating these photographs, I'm happy with the excellent outcomes.
Resources
1. https://iphf.org/inductees/edward-weston/#:~:text=His%20early%20influence%20was%20Margrethe,was%20encouraged%20by%20John%20Hagemeyer.
2. https://www.theartstory.org/artist/weston-edward/#:~:text=Before%20his%20mother's%20death%20when,encouraged%20him%20to%20consider%20photography.
3. https://www.tate.org.uk/art/artists/edward-weston-2720
2. https://www.theartstory.org/artist/weston-edward/#:~:text=Before%20his%20mother's%20death%20when,encouraged%20him%20to%20consider%20photography.
3. https://www.tate.org.uk/art/artists/edward-weston-2720